Happy Birthday, Simon!

And so we now approach another end of August and another year of tribute to an amazing character actor. If Simon were alive today, he would be 99 years old. It’s so strange to think of how long ago it was that he came to this world, and so sad that he left it so soon.

It has been getting difficult to find available things with Simon that we haven’t seen before. So many of his performances are sadly scarce. But I have managed to turn up a few things: two of his Adventures in Paradise episodes and his Stoney Burke episode, Image of Glory.

The two Paradise episodes both feature him as the villain. In one, he does his usual trick of making the character seem human and not just an out-and-out evildoer. In the other, he plays the more rare cold-blooded killer. He has only played a handful of those, of which I’m glad, as I don’t like to see him play characters that terrible. On the other hand, however, I find those performances very impressive, just as I do all of his performances. Bonanza’s Mel Barnes, as repulsive as he is, remains a character whose episode I like to rewatch.

The Stoney Burke character, Sam Hagen, is a good guy, a father dreaming of his son being a rodeo star and unknowingly putting pressure on him to succeed. The son even tries to go into a rodeo event with a badly hurt leg because of not wanting to disappoint his father. Stoney Burke is aware of the leg problem due to encountering the son at the doctor’s office, and he tries to tell Sam what’s going on when it becomes obvious the boy is seriously endangering his health. Although at first Sam doesn’t believe it, he becomes horrified and panicked when he hears the boy going into the ring. He rushes to stop him. Unfortunately, it’s a bit too late and the boy is injured. We don’t know his final fate, but Stoney says that with his family rallying around him, he should be just fine.

Simon delivers a beautiful, heartfelt performance. The character is so believable and never over-the-top in his dreams of his son’s success and his sadness over his own failures. His love for his son shines through at all times and the climatic scene where he rushes to stop the boy is so poignant and powerful. He definitely ranks with my favorite of Simon’s characters.

I’ve also been reviewing some of my other favorite performances of his, most notably Frank Epstein from the Hawaii 5-O episode The Reunion. I remember Crystal spoke about that one at length, but I don’t recall if either of us came onboard to announce that we finally had learned that there was a bit more to the episode than what Netflix’s Streaming was willing to show us. (I really hope they fixed that preposterous error!) The Streaming episode cut off right when Epstein was gripping the gun and forced to make a choice between killing the man who had made him and his friends suffer 25 years ago and had devised a scheme to make them suffer anew in the present, or letting him live.

When the episode finally came on MeTV and I recorded it, I saw the minute or so that had been left out. Frank finally made the choice to let the man live. As Steve McGarrett put it, “He couldn’t break you 25 years ago. Are you going to let him break you now?” Frank lowered the gun and his wretched enemy said to him and Steve, “I have misjudged you. I have misjudged both of you.” Steve looked to Frank, who gave a nod, and turned to limp away on his prosthetic legs. It’s an extremely powerful scene and I am very upset that Netflix Streaming wasn’t showing it! It wasn’t just an error on my computer, since Crystal encountered the same thing when she watched it later.

While watching that episode with my mom the other night, she commented that Simon should have won an award for his performance in that episode. I thoroughly agree.

Sadly, as far as I know, Simon never did win an award for any performance. (If anyone knows otherwise, please let us know!) It is definitely a grave oversight for such an amazing, talented man. But considering Simon’s humility and how he often kept to himself, perhaps in some way it isn’t surprising. It would have been wonderful to see his talents recognized with an Oscar, Emmy, or Tony, but perhaps he was perfectly happy with his talents being recognized and appreciated just by the fans who watched him nearly every week.

As always, I am happy to count myself among those fans and look forward to experiencing more Simon performances, both ones I’ve seen and ones that are new to me.

And I am anxiously waiting for the premiere of Baa Baa Black Sheep on MeTV September 7^th! It’s so exciting that on this, the 99^th anniversary of Simon’s birth, one of the series featuring him in a starring role will be airing anew on television. And MeTV reaches such a high number of the homes across America that thousands of others will be able to experience this right along with me.

Also as always, the great Simon Oakland lives on, in his performances and in the hearts of those who love him.

Happy Birthday, Simon.

~Lucky Ladybug

Baa Baa Black Sheep returning to television

As usual, we have quite a few things we've seen with Simon piling up that we need to make posts and talk about. But while perhaps by now most readers are aware of this exciting news, I wanted to make sure to sign in and let everyone know, even though by now it's a few days late.

MeTV, one of the retro television channels, perhaps the most widely available one in the United States, has put up teaser trailers of shows they're bringing in the Fall. One of them is unmistakably Baa Baa Black Sheep/Black Sheep Squadron! The teaser features World War II planes in the sky while a snippet of the theme music plays.

This is very exciting news. I'm not sure how often this series has been available in the rerun market, but being on MeTV will certainly give it widespread availability. And with season 2 still not on DVD, here's our chance to pick up all the episodes of this wonderful series with Simon for keeps!

More good news is that MeTV, unlike fellow retro television channel Cozi, tries to make sure that their programs are uncut. I believe only three or four suffer from cut scenes, and that's likely because those were the only prints MeTV was able to get. There's a very good chance Baa Baa Black Sheep will be aired uncut.

As of right now, there are no details such as schedule days and times. My guess is that since there are only around 37 episodes, they will air it once a week. It may air in the early morning on Saturday, booting either Combat! or Twelve O'Clock High. Personally, I hope they will rearrange the schedule so that both of those shows will stay, too.

In any case, let us rejoice in this exciting move by MeTV! Below is the post from their blog featuring the teaser trailers. While you're at it, have a look at the other incoming programs too. There's some great stuff, as always, and some shows that feature guest-spots by Simon.

http://metvnetwork.com/monitor/sure-it-s-summer-but-fall-is-just-around-the-corner

~Lucky Ladybug

The Flaws of Fictional Characters, and Why We Love Them

Try as we might to attain perfection in everything we do, the truth of the matter is that we have our flaws.  Perhaps this is why when we see flaws in fictional characters, it can end up making us pity or even adore them.  Simon Oakland has played countless characters during his time as an actor; no single character, whether good or bad, is without flaws.  These flaws are essential to their characterization.

For Simon’s villain characters, the flaws are pretty easy to see: Mel Barnes’ general nastiness, William Poole’s madness, Seth Tabor’s greed, Bolivar Jagger’s ingratitude, Mandee’s treacherous nature, Nick’s scheming and so on.  Of course, these flaws don’t make these characters endearing in anyway, but Nick’s sheer misfortune in how spectacularly his plans fail make him a laughable villain, at best.

Then there are the characters who are not quite villains, but aren’t exactly getting along with the main characters, either.  It is these characters’ flaws who actually do allow them to earn some pity, despite their standing.  Sancho Fernandez and Frank Epstein are both bitter, vengeful men, yet after the viewer realizes that their bitterness is not unfounded, the viewer nonetheless ends up siding with them, or, at the very least, giving them their pity.  Vern St. Cloud, for all his boisterousness and loud mouth, one can’t help but pity how his insistence to act like a tough guy sometimes get him into trouble.  And Lt. Schrank, despite saying a great deal of nasty things, earns a bit of pity after one takes a step back and realizes how jaded he has become after years of trying—and failing—to get rival street gangs to stop their fighting.

And yes, even the characters who are good guys all around have their flaws.  Alonzo Galezio’s flaw may be that he’s just too nice for his own good; he still longs and hopes that Donna Fuller will somehow see past his winemaking occupation and accept him for what he is, despite being insulted and verbally brought down by her.  And even after her mob wrecks his personal property and, in doing so, his potential livelihood, he can’t bring himself to press charges and instead tries to pick up the pieces and move on.  General Moore, despite being the tough-but-fair commanding officer of the Marines at Esprito Marcos, is revealed to put his instincts as a father first when he makes a somewhat unprofessional—albeit understandable—attempt to transfer his Navy nurse daughter to a safer place (this attempt fails upon her reminding him that he is obligated not to do so).  And Tony Vincenzo is an interesting mix of a temper to be reckoned with plus a person too nice for his own good; while a good portion of his dialogues with Carl Kolchak are often at a considerably loud volume, the truth of the matter is that he would do anything to help his sometimes-unfortunate employee, even at the risk of his own job security (as The Night Strangler movie showed).  And all of those threats to fire Carl?  All talk, and nothing more.  And Carl knows it.

It is important for fictional characters to have believable flaws; it is these flaws that make them more real and easier to relate to, particularly regarding the non-villain characters.  It makes them more human (even the characters who aren’t human, such as the Empyrian, who acknowledges his own mistakes after the humans he shanghais prove his mindset wrong).  And it’s another way that Simon, as an actor, reached out to us to remind us of what makes us human ourselves: the fact that we’re not perfect… and how that doesn’t really matter in the grand scheme of things, as long as we’re inherently good people.

~Crystal Rose